Gr4ftY presents: Deceima

A bold caps-only minimalist display font made with as few unique bricks as possible. Large, brutalist-esque cubes, sometimes rounded, sometimes cut, made to evoke the silhouette of the letterform. Dots made to represent several things: a third line, not fitting in between the two already existent; a marriage of them, representing a simple umlaut; even hanging on the bottom corners of the Ц, Щ, и Д in an attempt to represent the descending lines on the bottom (not very familiar with Cyrillic, so I don’t quite know what they’re called.) 

As is probably evident, this is in a rough state, so any feedback on the letterforms—especially the Cyrillic text—would be greatly appreciated. It’s not meant to be easily legible, but I am shooting for some semblance of consistency.

Technical Information

Unique bricks: 10 for basic English, 6 (and counting) extras for accents & punctuation.

Filters: 1.6 x 1.6 brick size

Languages: English, p. Cyrillic 

All letters roughly fit within a 4x4 grid space.

PLEASE, read the license information before cloning this font.

That’s all for now. Best wishes,

Gr4ftY

Gr4ftY Presents:

—Latency—

A quirky little monospaced pixel font, with somewhat aggressive optical adjustments and supersymmetry.

I'm still working on this, and while a good amount of letters are final, there are a couple solutions (L,?,¢,Æ,æ,ẞ,etc.) that I am not happy with, so feel free to leave any suggestion/constructive feedback that you might have.

That's all for now— adiós :)

Almost released this as an NFNW, but after a couple more hours in the editor, I realized I did want to finish this. Works best at larger sizes for short text.

Any suggestions to make the “N” less bulky would be greatly appreciated.

Also, kerning is in the works. I’ll see if I can finish it eventually.

Suggestions / feedback about the kerning pairs AV, VA, AW, WA, MV, VM, MW, & WM would be helpful—I can't quite figure out the spacing I like.

KERNING PAIRS COMPLETED (so far):

 • (A-B)(A-z)

 • (A-z)(A-B)

 • f(a-z)

 • (a-z)f

 • a(A-U)

 • (A-U)a

 • 7(1-9)

 • (1-9)7

Looks boring, but there’s a lot of work that went into it, I promise. 
There was probably a way that this could have been done a whole lot easier, but oh well.

 • 1.66x1.66 brick scale

 • connect bricks only

An experiment born from a different experiment. 5/3 x 5/3 brick size filters. No composites, almost no nudging, and only a couple instances of brick-patching. Lowercase is the same as uppercase with a few alternates. Full circles for closed counters, half circles for open counters. There are a couple other similar ideas in the works, hopefully done by next month if I have time :)

LN(VERSE): A kind of "off" 15 segment display with two light levels. Capitals are an inverse of the lowercase. Inverted [] on (). Filled grid on $, half tone filled grid on #. The "Outlined" grid is on the ~, so you simply have to type it before the letter you want to have the outline on.

NOTE: I originally made most of the font with the "outline" baked in, but I thought it better to leave it optional so it could be more versitally used (especially if you stack them to create coloured versions). It was a little more work than I thought it would be, but in the end I'm happy with it, considering I made this on the little time I didn't have homework to do.

tool-ish thingy, mainly expieremental. feel free to use any of this stuff.
anyways good to be back!

this was more a concept than a style Idk

also this is like the only thing I could come up with that was remotely related to the competition. 

A - 4     C - ©     E - 3     G - &     I - 1     O - 0     R - ®     S - $     Y - ¥     Z - 2    a - @     b - 6     c - ¢     g - 9     s - 5     t - +

(numbers) + (punctuation + marks) + (lowercase) + (bad + kerning) = (numbercomp + entry)

I have another idea, but I don't know if it will be finished in time, so... yeah.

Gr4ftY presents: 

Copilot

if you have any suggestions for improvements, feel free to comment them down below!

Another terrible font for y’all to laugh at. 
planning to add more glyphs soon.

(WIP)

Attempting contrast at an unusual angle. This is probably going to be caps only, since I don't think I have enough creative energy to make it through lowercase.

also spacing and kerning are all over the place, still don’t know how spacing works in conjunction with serifs. Sorry bout that.

anyways any and all feedback is appreciated.

Gr4ftY presents:

SCORN

“Does this font look trustworthy to you?”

This took a while to make but I’m very happy with how this turned out (even though this is far from finished!)

If you have any suggestions for improvements, please tell me in the comments and I will try them out if I can.

❤️fs

Gr4ftY presents:

Foundry DS

inspired by frodo7's most recent work, this is the result of me trying it for myself. Still, this is far from perfect, and any help would be greatly appreciated.

THIS MAY BE EXPANDED APON IN THE FUTURE.

Gr4ftY presents:

abade

somewhat inspired by neue machina.

Gr4ftY presents:
Bolden
Just a simple bold font.

feel free to give critique, as long as you have something helpful to say.

i would especially appriciate help with the greek.

thanks:

to @Kiên Trung for helping with the Υ

to @elmoyenique for helping with the y

to @Sed4tives for a bunch of bits and bobs here and there (c, t, and n, to name a few)

additional info:

X height: 5

Cap height: 8

letter width: 5

Filters: 2x2

Made entirely on the Mobile phone 

"How, then, am I mad? Hearken! And observe how healthily- how calmly I can tell you the whole story."

-Edgar Allen Poe, the tell tale heart