Please see the Kynaatt language and alphabet charts at kynaatt.com

This is the official written format for Katemayar, however, please review the alphabetic notices in "Katemayar" to understand typing and related.

A stylized rounded Extended Cyrillic alphabet has been added to this font as well.

This alphabet is designed to be used solely for Kynaatt but it can be used for English, it is loosely based on Atemayar Qelisayer which can be found on Omniglot with credit to its original creator. I have modified it heavily to suit Kynaatt and ease of handwriting. If you wish to use Atemayar however, please see my other fonts as I have many for that alphabet.

Although Katemayar Round shares many similarities with Atemayar Qelisayer, it is as different from it as Cyrillic or Greek is from the Latin Alphabet. Therefore, this alphabet is only based on, not a version of, the Atemayar Qelisayer alphabet featured on Omniglot. The shape and layout of letters differs drastically, especially with modified: R, B, V, & Y; as well as the entirely new I, S, W, O, U, & X plus several added characters. The shapes are also different in handwriting, stroke order/direction, and glyph building (with Atemayar Qelisayer using two to three building blocks of vertical lines and cross bars, and Katemayar uses only vertical lines and circular features).

Please see "K'Atemayar" for information about this script and credit to the creator.

Please see the Kynaatt Language and alphabet chart for Katemayar at kynaatt.com

Here is my rendition of the Taiogeuna alphabet featured on Omniglot. I was able to create a glyph for every character in the "Basic Latin" pack which eliminates the need for any accented letters (as my other fonts commonly use), please refer to the chart below for the un-transliteratable characters. I hope you enjoy. :D

AE = a (only lowercase)
EO = e (only lowercase)
AI = i (only lowercase)
OI = o (only lowercase)
UE = u (only lowercase)
CH = Q
DH = B
PH = F
SH = X
TH = K
ZH = J
Start of Sentence = ,
Double Vowel = *
Start of Line = #

Here is a quick font I made based on my Tedoless Eriseci font. I was curious to see how Eriseci would look if it was written with completely separated characters like Altrimaya or Atemayar. I hope you enjoy. :D

Eriseci is featured on Omniglot where you can find the original alphabet and creator, the numbers are credit of Atemayar (also featured on Omniglot). I understand this font is not how the alphabet was intended, it is simply an artistic take on the script. If you truly enjoy Eriseci, please do see my first Eriseci font on this website which has the capability to type the alphabet as intended. Thank you.

Here is an extended version of my Atemayar Rigid Script. This script has taken me years to get to the point where it is. It is incomplete however I figured I would release it with the current list of characters that I have created. While I plan to complete it, it will be some time before this is achieved so please bear with me as life tends to get in the way sometimes.

I began this font August 31, 2017, and I'm releasing it 30 days short of its 2 year anniversary.

Based off the original alphabet of Atemayar Qelisayér featured on Omniglot created by Simon Halfdan Hvilshøj Andersen. Credit for all the original characters of this alphabet goes to him, as well as credit for inspiration. Some characters in this alphabet are wholly original to this font (most are not however), these are inspired wholly by the original Atemayar alphabet in one way or another.

I truly and sincerely hope you enjoy, this font is made for all to enjoy and to spread such a beautiful alphabet to be used for all languages and all writing systems. I love Atemayar more than any existing writing system, I take all my notes in it, and I wish that Simon Halfdan Hvilshøj Andersen's alphabet will be spread around the world and used by many.

The alphabets can be categorized into groups based on the following criteria:
- Pseudo-Atemayar: shares no letters with Atemayar, but appears similar
- Semi-Pseudo-Atemayar: shares a few characters with Atemayar, but overall still looks like its base alphabet and can't be read by Atemayar users
- Modified Atemayar: Follows all/most of the same letters as Atemayar, however has added or modified letters as well
- Classic Atemayar: Original Atemayar alphabet without change

The alphabets' classifications are as follows:

Basic Latin: Classic (except X, which is a ligature of K and S)
Punctuation (all except . , : ; ? ! ... " '): Modified
More Latin: Modified
Extended Latin B: Modified
Extended Latin A: Modified
Greek & Coptic: Modified
Cyrillic: Modified
Arabic: Modified (reversed letters)
Devanagari: Modified (line above letters)
Georgian: Semi-Pseudo
Armenian: Semi-Pseudo
Katakana: Modified
Hebrew: Modified (reversed letters) ***Incomplete***
Hangul: Pseudo ***Incomplete***
Bopomofo: Modified (dots above letters, ligatures)
Thai: Pseudo ***Incomplete***

Here is my version of the Wardruna Arabic alphabet featured on Omniglot. I attempted to keep the font clean and  uniform where I could. This font is designed for Arabic writing and contains no glyphs from the Latin alphabet.

I hope you enjoy. :D

Here is my rendition of the Tuimuq Qanaa alphabet featured on Omniglot (specifically, the Lanuuq Qanaa version). I have used Latin Accents in place of the double vowels and for NG (Á for AA, Í for II, Ú for UU, and Ñ for NG). UI is typed with O, and the vowel base is typed with E. Use capital letters for the high diacritics (for above NG, F/V, M, & N) and lowercase for all others. I hope you enjoy this font. :D

Here is my rendition of the Gryirhanli Alphabet featured on Omniglot. Since the font software is rather difficult when it comes to irregular or large arcing curves, it can be said with certainty that I used quite a bit of artistic liberty in creating this font. Having worked on this font for 2 years now, I'm very happy to finally release it for all to see. I used Ch in place of C, Sh in place of X, Aa in place of Á, Ee in place of Í, Oo in place of Ú, Ai in place of Ý, and finally Th in place of Þ giving every character an equal opportunity of typability. Although the alphabet chart did not specify punctuation, I based the period off the one used in the text example (and did not include any further punctuation).

Despite using artistic liberty I do however feel this font is still accurate enough in comparison to the original that both are easily mutually intelligible with each other (such as Comic Sans vs Times New Roman for Latin).

I truly hope you enjoy this font.

Here is my version of the Davé alphabet featured on Omniglot. I did my best to make the proportions as accurate to the handwriting seen on the original source of the alphabet, however some circular patterns (such as  the punctuation) were somewhat difficult and sadly might not exactly match the proportions. I hope you enjoy nonetheless.